Rajasthani Architecture

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Since ancient times in Rajasthan, the temple, pillar, monastery, mosque, tombs, samadhi and umbrellas have been built by Hindus, Buddhists, Jains and followers of Muslim religion from medieval times. Many of them are still in the form of anomalies and in some correct condition. Among them, the art of most ancient deities is found in the city of Nagri in the north of Chittor. The remains of Vaishnava, Buddhist and Jainism appear to be artificial in residues. From the third century BC to the fifth century AD, in the instruments of architectural features, many idols of Goddesses, Yakshakshinias, Buddhists, Stupas, Chahars of Vaish Devi, a banyan of huge stone segments, 36 ft and below 14 full width bed The "eagle pillar" can be seen here also. In 1567 AD, during the attack of Chittor in Akbar, the use of this pillar to light the military camp The ancient "Sun Temple" of Chittoor present in the form of Kalika Temple after the Guptak period, in this district, the temple of the small temple of the illusionist, in Kota, Shiva temple of Barauli and the idols engaged in these people, - provides an indication of life's reactions too. The craft of Shiva, Parvati, Vishnu, Mahavir, Bhairav ​​and Dancers of Dabok residues of Dabok residues in Manal, Dungarpur district in Chittaur district, has a chronological history of socio-cultural development of their era.

From the seventh century onwards, the influence of the Rajput administration in the sculpture of Rajasthan is received by various parties of power and devotion. The temple of Amanari located in the Jaipur district (Temple of Harshmata), the temple of Mata in Oshia in Jodhpur, the Temple of Kirud in the Jodhpur division, etc. and the expression of various vowels of the ancient temple art of different provinces attached to the detailed history on the cultural history of Rajasthan Inserting architectural samples are.

Built in the era, Chittaur, Kumbhalgarh, Ranthambore, Gagaron, Achalgarh, Garh Birli (Ajmer's Taragarh), Jalore, Jodhpur, etc. are found in the castle architecture of Rajput architectural style. The guarded craftsmanship can be characterized by these fortifications, whose effect is easily reflected in the temple crafts-idols and building constructions. After the thirteenth century, the unique example of the architectural symbol is Chittori's "Kirti Column", in which the idol sculptures can be called a large museum of Hindu religion. There, it is clear from the Persian writing that on one floor it is clear that in architecture, The effect started to start.

Even after the seventeenth century, the temples were being built on traditional grounds, in addition to the sculptural craft, the new tradition of murals entered through which the study was supported by the help of Rajasthani history.

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